how to use irony in essay

Irony Definition

What is irony? Here’s a quick and simple definition:

Irony is a literary device or event in which how things seem to be is in fact very different from how they actually are. If this seems like a loose definition, don't worry—it is. Irony is a broad term that encompasses three different types of irony, each with their own specific definition:  verbal irony ,  dramatic irony , and  situational irony . Most of the time when people use the word irony, they're actually referring to one of these specific types of irony.

Some additional key details about irony:

• The term "irony" comes from the ancient Greek comic character called the "eiron," who pretends ignorance in order to deceive an opponent. 
• Irony overlaps with, but is not identical to, sarcasm and satire . 
• In the last twenty years or so, the term "ironic" has become popular to describe an attitude of detachment or subversive humor, like that of someone who wears a Christmas sweater as a joke. This more recent meaning of ironic is not entirely consistent with the original meaning of irony (a fact which itself might be described as being somewhat ironic). 

Irony Pronunciation

Here's how to pronounce irony: eye -run-ee

Irony in Depth

The term "irony" usually refers to three particular types of irony:

• Verbal irony is a figure of speech in which the literal meaning of what someone says is different from—and often opposite to—what they actually mean. For example, if someone has a painful visit to the dentist and when it's over says, "Well, that was pleasant," they are using verbal irony because the intended meaning of their words (that it  wasn't at all  pleasant) is the opposite of the literal meaning of the words. Verbal irony is the most common form of irony. In fact it is so common that when people mention "irony," they often are actually referring to verbal irony. 
• Dramatic irony  Is a plot device that highlights the difference between a character's understanding of a given situation, and that of the audience. When the audience watching a movie know what's behind that door, but the character in the movie has no idea... that's dramatic irony. 
• Situational irony  refers to an unexpected, paradoxical, or perverse turn of events. It is an example of situational irony when, in the O. Henry story " The Gift of the Magi ," a young wife cuts off her hair in order to buy her husband a chain for his prized watch, but the husband sells his watch to buy his wife a comb for her beautiful hair. 

Although these three kinds of irony may seem very different at first glance, they all share one important quality: a tension between how things appear and how they really are. For a more in-depth look at each of these devices, please visit their individual pages.

Also, it's worth knowing that sometimes instances of irony don't quite fit into any of these categories, and instead align with the more general definition of irony as something that seems to be one way, but is in fact another way. Put more broadly: sometimes irony is verbal irony, sometimes it's dramatic irony, sometimes it's situational irony, and sometimes it's just irony. 

Irony, Sarcasm, and Satire

Besides the three main types of irony described above, two other literary devices—sarcasm and satire—share a lot in common with irony:

• Sarcasm is a bitter, cutting, or mocking taunt used to denigrate a particular person, place, or thing. It can sometimes take the form of verbal irony. For instance, if you were to say to someone who had just cut you in line, "What a polite, civilized person you are!" that would be sarcasm in the form of irony, since your meaning is the opposite of the literal meaning of your words. Sarcasm very often involves irony. However, it doesn't always have to use irony. For instance, when Groucho Marx says "i never forget a face, but in your case I'll be glad to make an exception," he is being sarcastic, but his words, however witty they are, mean exactly what they say. 
• Satire is a form of social or political critique. Like sarcasm, it often makes use of irony, but it isn't always ironic.

You can get more details on both sarcasm and satire at their specific pages.

Irony Examples

All three forms of irony are used very frequently in literature, theater, and film. In addition, sometimes the irony found in any of these mediums is broader and doesn't fit into any of the specific categories, and is instead just general irony. 

Irony in "The Sell Out"

" The Sell Out " by Simon Rich is a short story recently published in the New Yorker that is full of irony. The story is narrated by a Polish Jew named Herschel, who lives in Brooklyn in the early twentieth century. Herschel accidentally preserves himself in brine for one hundred years, and when he is finally discovered, still alive, in 2017, he is introduced to his great-great-grandson, a young man who lives in present-day Brooklyn. On Herschel's first day, the great-great-grandson Simon tells Herschel about computers. Herschel describes the scene (note that Hershel's English isn't all that great):

It takes him long time, but eventually Simon is able to explain. A computer is a magical box that provides endless pleasure for free. Simon is used to constant access to this box—a never-ending flow of pleasures. When the box stops working—or even just briefly slows down—he becomes so enraged that he curses our God, the one who gave us life and brought us forth from Egypt.

This description is a great example of irony in the most general sense. The humor stems from the disparity between what seems to be true to Herschel (that computers are magic pleasure boxes) and what is actually true (that computers are, well, computers, and that people are kind of stupidly addicted to them). The use of irony is effective here because Hershel's description, as outlandish as it is, actually points to something that is  true about the way people use computers. Therefore, the disparity between "what is" and "what appears to be" to Herschel isn't merely a comical error; rather, it's ironic because it actually points to a greater truth about its subject.

Verbal Irony in Don Quixote

One famously ironic work is Miguel de Cervantes's Don Quixote .   At one point, the book's narrator states: 

… historians should and must be precise, truthful and unprejudiced, without allowing self-interest or fear, hostility or affection, to turn them away from the path of truth, whose mother is history.

We can identify the above quotation as an example of verbal irony if we consider that the book's hero, Don Quixote, is fundamentally incapable of distinguishing truth from fiction, and any historian of his life would have to follow a double track of reality and fantasy which continuously overlaps, tangles, and flips. One of the most basic premises of the book is that truth is more difficult to identify than it may seem. Therefore, when the narrator vows to follow the single path of truth, he is being ironic; in reality, he believes this to be impossible. 

Dramatic Irony in Othello

The device of dramatic irony is especially well-suited to the theater, which displays constantly shifting sets, scenes, and characters to a stationary audience that, therefore, often has a more complete or "omniscient" perspective compared to any of the characters. One excellent example of dramatic irony can be found in Shakespeare's  Othello . 

Through the play, the audience watches as Iago plots against his commander Othello, and seeks to make Othello believe that his wife Desdemona has been unfaithful to him. The audience watches as Iago plots to himself and with others. Sometimes Iago even directly reveals his plans to the audience. Meanwhile, Othello continues to trust Iago, and the audience watches as the the plan they know that Iago is pursuing slowly plays out just as he intended, and Othello eventually murders the entirely innocent Desdemona. The way that the play makes the audience aware of Iago's plot, even as Othello is not, means that the play is full of dramatic irony almost for its entire length. 

Situational Irony in The Producers

In this classic film, two friends come up with a complicated money-making scheme in which they put on a play that they think is absolutely certain to fail. Their plan backfires when the play, entitled "Springtime for Hitler," is so shockingly bad that people think it's a comedy and come to see it in droves. This is an example of situational irony because the outcome is the exact opposite of what the play's producers expected.

Why Do Writers Use Irony?

Irony is a tool that can be used for many different purposes. Though sarcasm and satire are two ways of using irony that are primarily negative and critical, ironic statements can also underscore the fragility, complexity, and beauty of human experience.

• Situational irony often demonstrates how human beings are always at the mercy of an unpredictable universe—and that life can always take an unexpected turn.
• Dramatic irony emphasizes that human knowledge is always partial and often incorrect, while giving the reader or viewer the satisfaction of a more complete understanding than that of the characters.
• In dialogue, verbal irony can display one character's sparkling wit, and another character's thickheadedness. Verbal irony can also create a connection between people who  get  the irony, excluding those who don't.

Ultimately, irony is used to create meaning—whether it's humorous or profound—out of the gap between the way things appear and how they actually are.

Other Helpful Irony Resources

• The Wikipedia page on irony : A helpful overview.
• The dictionary definition of irony : A basic definition, with a bit on the etymology.
• The comedian George Carlin explaining the difference  between situational irony and mere coincidence.
• A site with a helpful index of examples of different types of irony in television, film, video games, and other media.

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Last updated on Nov 03, 2022

3 Types of Irony: Tell Them Apart With Confidence (+ Examples)

Irony is when the opposite of what is expected happens. In writing, there are three types of irony — verbal, situational, and dramatic.

• Verbal irony is when a person says one thing but means the opposite;
• Situational irony is when the opposite of what is expected happens; and
• Dramatic irony is when the audience knows something that characters do not.

The term “irony” comes from the Greek word eironeia , meaning "feigned ignorance," and storytellers of all stripes like to use the different forms of irony as a rhetorical or literary device to create suspense, humor, or as the central conceit in a plot.

To help you make heads or tails of this technique, this article will dig into the three common types of irony.

1. Verbal irony

Verbal irony is where the intended meaning of a statement is the opposite of what is actually said. People and literary characters alike use it to express amusement, emphasize a point, or to voice frustration or anger. In literature, verbal irony can create suspense, tension, or a comic effect. 

Verbal irony is actually the type of irony most used in everyday conversation, and can take the form of sarcasm — which is almost always used to denigrate someone or something. Regardless, the two are not the same thing, though many people conflate the concepts. 

To illustrate, here are a few common phrases that perfectly exemplify how verbal irony works — many of them similes comparing two entirely unlike things:

• "Clear as mud."
• "Friendly as a rattlesnake."
• "About as much fun as a root canal."

Understating and overstating

Broadly speaking, verbal irony works by either understating or overstating the gravity of the situation. 

An ironic understatement creates contrast by undermining the impact of something, though the thing itself will be rather substantial or severe. For example, in The Catcher in the Rye , Holden Caulfield casually says, "I have to have this operation. It isn't very serious. I have this tiny little tumor on the brain." Of course, Holden is lying here, which is why he can be so cavalier — and the nonchalant way he downplays something as serious as a brain tumor is ironic.

On the other hand, an ironic overstatement makes something minor sound like a much bigger deal to emphasize a quality it lacks. For example, say you win $5 in a lottery where the grand prize is $100 million. A friend asks you if you won anything, and you say, "Yeah, total jackpot" — that's an ironic overstatement.

💡 Note: Don’t confuse ironic overstatements with hyperbole , the rhetorical device of exaggeration. If a character says "I'm so tired, I could sleep for a million years,” and they are genuinely tired, that isn’t ironic — just exaggerated.

Highlighting a fallacy

Verbal irony is often used for satirical purposes, exaggerating or underplaying descriptions to reveal a deeper truth. Viewed through a lens of overstatement or understatement, the reader can see how flawed the original concept might be.

Verbal irony can be found in the very first lines of Romeo and Juliet (a play riddled with irony).

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean.

Though the first line may sound respectful, we can see by the end of this verse that Shakespeare doesn’t actually mean to say that both households are alike in their great dignity. Instead, these lines imply the total opposite — that both households are equally un dignified. This irony also serves another purpose: notifying first-time readers that not all that glitters is gold. While both families might technically be considered nobility, their shared inability to act nobly toward one another ultimately leads to a bitter end for our tragic heroes .

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Providing insight into characters

Dialogue is an incredible tool for revealing what a character is like as how they choose to say something can speak volumes about who they are. Very often, people who use verbal irony tend to be highly self-aware.

For example, in Casablanca, the corrupt (yet charming) police captain Louis Renault follows instructions from German officials to order a raid on Rick's nightclub under the pretext of closing an illegal gambling den. "I'm shocked — shocked! — to find that gambling is going on in here!" Renault exclaims while thanking Rick’s croupier for bringing him his winnings. This knowing overstatement of 'shocked' reveals a lot about his cheerfully cynical worldview.

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Creating a comic effect

Of course, verbal irony can also be used for a simple comic result. Whether it's to highlight a witty character, lighten tension during a dark or difficult scene, or just to make people laugh, verbal irony can provide a much-needed moment of humorous relief. As you might expect, verbal irony is a common joke component.

For example, in Notting Hill , when love interests Anna and Will first meet at his bookshop , he confronts a man who’s trying to steal a book, and very politely threatens to call the police. When he returns to the till to help Anna, she hands over the book she’d like to buy and says “I was gonna steal one, but now I’ve changed my mind.” Obviously, the statement isn’t true — she’s using verbal irony to make light of the situation, diffusing awkwardness and showing her friendly inclination.

2. Situational irony

In literature, situational irony is a literary or plot device occurring when there is a discrepancy between what is expected to happen and what actually happens. You can use it to create suspense, humor, and surprise in your writing.

You can think of it as “the irony of events” to distinguish from the other types of irony, but it is not the same as coincidence or bad luck (apologies to Alanis Morrisette ). If you buy a new car and then accidentally drive it into a tree, that is coincidental and unlucky, but not ironic. However, if a professional stunt driver crashes into a tree on their way home from receiving a "best driver" award, that is situationally ironic. 

Within the context of a story, why might a writer use situational irony?

Creating a good ol’ fashioned twist

Authors can draw strong reactions from their readers by presenting them with carefully executed twists and turns. A  plot twist is all the more delicious when it's the polar opposite of what you'd typically expect. Storylines based on or containing situational irony inherently possess an element of surprise, so they're common in the comedy, thriller , crime, and mystery genres.

In Oscar Wilde’s The Importance of Being Earnest , for example, Jack proposes to Gwendolen under his fake name of Ernest, hoping to share the truth about his name once he’s been accepted. His plan is quickly thwarted when she accepts him because of his name, telling him that her “ideal has always been to love some one of the name of Ernest.” When he asks her what he thinks of “Jack” as a name, she declares that “The only really safe name is Ernest” — so his plan to reveal the truth is suddenly turned on its head, and he resolves to get christened as soon as possible. 

Emphasizing a theme or moral lesson

Steering readers to an unexpected destination in a story can also emphasize a theme or moral lesson — often reminding readers that an expected outcome is not always guaranteed. And because situational irony can urge readers to think twice about their own assumptions, authors often deploy it in fables or morality tales.

In Aesop's 'The Tortoise and the Hare,' for example, the unexpected outcome teaches us that slow and steady wins the race . Or perhaps the real moral is that you shouldn't be complacent and take naps during races.

Situational irony creates a contrast between appearances and underlying truths. When done properly, this can significantly alter a reader's interaction with, expectations of, and insight into a story. But irony must be used with care: without the help of intonation and body language, it requires people to read between the lines to understand its intentions; a reader who doesn’t see the irony will take these words at face value.

3. Dramatic irony

Dramatic irony occurs when the reader or viewer knows something that the characters in the story do not. This can create a sense of unease or anticipation as the audience waits to see how the characters will react to the situation they are in. 

So, to what effect can dramatic irony be used in a story?

Building fear and suspense

When readers or viewers know more than the characters do, they’re often left on pins and needles, waiting for the other shoe to drop or for an inevitable plot point to appear. Will the character discover the secret we already know? What will happen when they find out the truth? What if they find out the truth too late? Subconsciously, all of these questions run through their minds as the story unfolds, contributing to page-turning suspense.

The Hobbit contains a perfect example of dramatic irony — when Bilbo happens upon the ring while lost on a mountain, he puts it in his pocket and soon afterward encounters Gollum.

At this point, readers understand the significance of the ring and its importance to Gollum. However, Gollum does not yet realize he has lost the ring, and Bilbo doesn’t yet know who the ring belongs to. For this reason, the scene where Bilbo and Gollum engage in a game of riddles becomes more stressful for the audience who understands what’s at stake. 

📚 For some truly impressive suspense-building, check out this list of the 50 best suspense books of all time .

Eliciting sympathy for a character

If a character is happy but we know that tragedy lies ahead, we can’t help but sympathize with them. If the reader or audience is already "rooting for" the characters, they will hold on to the hope that things will turn out okay for them. And whatever the end result is — pain or relief —  the reader is likely to feel it twofold.

The audience knew all along! (image: Touchstone Pictures)

In the modern-day Shakespeare adaptation Ten Things I Hate About You , for example, bad-boy transfer student Patrick is paid by his classmate to woo the cold and aloof Kat. The audience knows that Kat will eventually discover the truth. The deception will wound her, and Patrick will (justifiably) lose her trust. This dramatic irony gives the scenes where they fall in love a bittersweet edge, making us sympathize with both characters. 

In fact, many romance tropes rely on dramatic irony, like the hate-to-love trope — just on account of the characters existing in a romance novel, readers know they're going to end up together. This results in that “slow burn” anticipation where readers are dying to see the characters confess their feelings, but have to live with their impatience as the romance slowly runs its course.

Setting up comical misunderstandings

A lot of comedy comes out of misunderstandings — where a character believes something that the audience knows not to be true, or doesn’t yet know something important. The dramatic irony turns into comedic tension as the character obliviously digs themselves (or other characters) into a deeper hole.

To give you an example of how this works: in a season one episode of Friends , Joey tried to win back his ex-girlfriend Angela by arranging a double date. Hebrings Monica but tells her that Angela’s new boyfriend, Bob, is actually her brother — making it seem as though Bob is Monica’s date. This misunderstanding turns to hilarious confusion as Monica is creeped out by how 'close' Bob and Angela seem to be.

Want more examples and in-depth explanation of any of these types of irony? We’ve spent some time breaking them down even further in the next posts in this guide — starting with verbal irony .

3 responses

Katharine Trauger says:

08/08/2017 – 05:39

I once received a birthday card telling me that irony is the opposite of wrinkly. But I do have a question: I believe, as you related to Hitchcock and I think about his works, that he used irony extensively, even more than one instance in a piece. It's a lot to remember and I've certainly not examined his works to verify that. However, I wonder if, although his works were beyond successful and loved by many, just how much irony is acceptable in today's writing. I agree it is a great device, but can it be overdone? Also, I am writing a piece which has what I believe an ironic ending. Is that a bad place to put a huge departure from the expected? I think O'Henry did that a lot, like when the man sells his watch to buy combs for his wife, and she sells her hair to buy a chain for his watch... But today, how much is too much and will readers come back for more?

↪️ Jim Morrison replied:

20/06/2018 – 21:42

While irony can be overused, it is not a bad thing to use irony - even to end a book. "Story" by Robert McKee discusses irony as an ending and explains how to use it and when to use it. As to your question about how much irony is accepted in today's society, I would say that it is more acceptable than before. With today's writing - particularly in theater - irony is a heavily used element. Thor: Ragnarok, for example, is dripping with ironic situations. Satire, the personal wheelhouse of Vonnegut and Heller, is not only a highbrow version of sarcasm, it is also heavy on the irony. So I say, personally, be as ironic as you want, just, as mentioned in the blog, be careful you don't overuse it to the point that the use of irony becomes ironic (i.e. you lose the audience). Cheers and happy writing.

Naughty Autie says:

30/05/2019 – 15:37

There is a blog which does not allow comments, yet it's called 'The Conversation'. Funny, I always thought that a conversation always took place between multiple people.

Comments are currently closed.

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Definition of Irony

Irony is a literary device in which contradictory statements or situations reveal a reality that is different from what appears to be true. There are many forms of irony featured in literature. The effectiveness of irony as a literary device depends on the reader’s expectations and understanding of the disparity between what “should” happen and what “actually” happens in a literary work. This can be in the form of an unforeseen outcome of an event, a character ’s unanticipated behavior, or something incongruous that is said.

One of the most famous examples of irony in literature comes from The Gift of the Magi by O. Henry. In this story , a newly married couple decides independently to sacrifice and sell what means most to themselves in order to purchase a Christmas gift for the other. Unfortunately, the gifts they receive from each other are intended for the very prized possessions they both sold. As a result, though their sacrifices symbolize the love they have for each other, the actual gifts they receive are all but useless.

Common Examples of Irony

Many common phrases and situations reflect irony. Irony often stems from an unanticipated response ( verbal irony ) or an unexpected outcome ( situational irony ). Here are some common examples of verbal and situational irony:

• Verbal Irony
• Telling a quiet group, “don’t speak all at once”
• Coming home to a big mess and saying, “it’s great to be back”
• Telling a rude customer to “have a nice day”
• Walking into an empty theater and asking, “it’s too crowded”
• Stating during a thunderstorm, “beautiful weather we’re having”
• An authority figure stepping into the room saying, “don’t bother to stand or anything”
• A comedian telling an unresponsive audience , “you all are a great crowd”
• Describing someone who says foolish things as a “genius”
• Delivering bad news by saying, “the good news is”
• Entering a child’s messy room and saying “nice place you have here”
• Situational Irony
• A fire station that burns down
• Winner of a spelling bee failing a spelling test
• A t-shirt with a “Buy American” logo that is made in China
• Marriage counselor divorcing the third wife
• Sending a Christmas card to someone who is Jewish
• Leaving a car wash at the beginning of a downpour
• A dentist needing a root canal
• Going on a blind date with someone who is visually impaired
• A police station being burglarized
• Purchasing a roll of stamps a day before the price to send a letter increases

Examples of Irony in Plot

Irony is extremely useful as a plot device. Readers or viewers of a plot that includes irony often call this effect a “twist.” Here are some examples of irony in well-known plots:

• The Wizard of Oz (L. Frank Baum): the characters already have what they are asking for from the wizard
• Time Enough at Last (episode of “The Twilight Zone”): the main character, who yearns to be left alone to read, survives an apocalyptic explosion but breaks his reading glasses
• Oedipus Rex (Sophocles): Oedipus is searching for a murderer who, it turns out, is himself
• The Cask of Amontillado ( Edgar Allan Poe ): the character “Fortunato” meets with a very unfortunate fate
• Hansel and Gretel (Grimm fairy tale ): the witch, who intended to eat Hansel ad Gretel, is trapped by the children in her own oven

Real Life Examples of Irony

Think you haven’t heard of any examples of irony in real life? Here are some instances of irony that have taken place:

• It is reported that Lady Nancy Astor once said to Winston Churchill that if he were her husband, she would poison his tea. In response, Churchill allegedly said, “Madam, if I were your husband, I’d drink it.”
• Sweden’s Icehotel, built of snow and ice, contains fire alarms.
• Hippopotomonstrosesquippedaliophobia is the official name for fear of long words
• Fahrenheit 451 by Ray Bradbury is considered an anti-censorship novel , and it is one of the most consistently banned books in the United States.
• A retired CEO of the Crayola company suffered from colorblindness.
• Many people claimed and/or believed that the Titanic was an “unsinkable” ship.
• There is a hangover remedy entitled “hair of the dog that bit you” that involves consuming more alcohol.
• George H.W. Bush reportedly stated, “I have opinions of my own, strong opinions, but I don’t always agree with them.”

Difference Between Verbal Irony, Dramatic Irony, and Situational Irony

Though there are many forms of irony as a literary device, its three main forms are verbal, dramatic, and situational. Verbal irony sets forth a contrast between what is literally said and what is actually meant. In dramatic irony , the state of the action or what is happening as far as what the reader or viewer knows is the reverse of what the players or characters suppose it to be. Situational irony refers to circumstances that turn out to be the reverse of what is expected or considered appropriate.

Essentially, verbal and situational irony are each a violation of a reader’s expectations and conventional knowledge. When it comes to verbal irony, the reader may be expecting a character’s statement or response to be one thing though it turns out to be the opposite. For situational irony, the reader may anticipate an event’s outcome in one way though it turns out to happen in a completely different way.

Dramatic Irony is more of a vicarious violation of expectations or knowledge. In other words, the reader/audience is aware of pertinent information or circumstances of which the actual characters are not. Therefore, the reader is left in suspense or conflict until the situation or information is revealed to the characters involved. For example, a reader may be aware of a superhero’s true identity whereas other characters may not know that information. Dramatic irony allows a reader the advantage of knowing or understanding something that a particular character or group of characters does not.

Writing Irony

Overall, as a literary device, irony functions as a means of portraying a contrast or discrepancy between appearance and reality. This is effective for readers in that irony can create humor and suspense, as well as showcase character flaws or highlight central themes in a literary work.

It’s essential that writers bear in mind that their audience must have an understanding of the discrepancy between appearance and reality in their work. Otherwise, the sense of irony is lost and ineffective. Therefore, it’s best to be aware of the reader or viewer’s expectations of reality in order to create an entirely different and unexpected outcome.

Here are some ways that writers benefit from incorporating irony into their work:

Plot Device

Irony in various forms is a powerful plot device. Unexpected events or character behaviors can create suspense for readers, heighten the humor in a literary work, or leave a larger impression on an audience. As a plot device, irony allows readers to re-evaluate their knowledge, expectations, and understanding. Therefore, writers can call attention to themes in their work while simultaneously catching their readers off-guard.

Method of Reveal

As a literary device, irony does not only reveals unexpected events or plot twists . It serves to showcase disparity in the behavior of characters, making them far more complex and realistic. Irony can also reveal preconceptions on the part of an audience by challenging their assumptions and expectations. In this sense, it is an effective device for writers.

Difference Between Irony and Sarcasm

Although irony encapsulates several things including situations, expressions, and actions, sarcasm only involves the use of language that is in the shape of comments. Whereas irony could be non-insulting for people, sarcasm essentially means ridiculing somebody or even insulting somebody. Therefore, it is fair to state that although sarcasm could be a part of an element of irony, the irony is a broad term, encompassing several items or ingredients of other devices in it.

Use of Irony in Sentences

• A traffic cop gets suspended for not paying his parking tickets.
• “Father of Traffic Safety” William Eno invented the stop sign, crosswalk, traffic circle, one-way street, and taxi stand—but never learned how to drive.
• Alexander Graham Bell invented the telephone but refused to keep one in his study. He feared it would distract him from his work.
• Alan has been a marriage counselor for 10 years and he’s just filing for divorce.
• Oh, fantastic! Now I cannot attend the party I had been waiting for 3 months.

Examples of Irony in Literature

Irony is a very effective literary device as it adds to the significance of well-known literary works. Here are some examples of irony:

Example 1:  The Necklace (Guy de Maupassant)

“You say that you bought a necklace of diamonds to replace mine?” “Yes. You never noticed it, then! They were very like.” And she smiled with a joy which was proud and naïve at once. Mme. Forestier, strongly moved, took her two hands. “Oh, my poor Mathilde! Why, my necklace was paste. It was worth at most five hundred francs!”

In his short story , de Maupassant utilizes situational irony to reveal an unexpected outcome for the main character Mathilde who borrowed what she believed to be a diamond necklace from her friend Mme. Forestier to wear to a ball. Due to vanity and carelessness, Mathilde loses the necklace. Rather than confess this loss to her friend, Mathilde and her husband replace the necklace with another and thereby incur a debt that takes them ten years of labor to repay.

In a chance meeting, Mathilde learns from her friend that the original necklace was fake. This outcome is ironic in the sense that Mathilde has become the opposite of the woman she wished to be and Mme. Forestier is in possession of a real diamond necklace rather than a false one. This ending may cause the reader to reflect on the story’s central themes, including pride, authenticity, and the price of vanity.

Example 2:  Not Waving but Drowning  (Stevie Smith)

Nobody heard him, the dead man, But still he lay moaning: I was much further out than you thought And not waving but drowning .

Example 3:  A Modest Proposal (Jonathan Swift)

A child will make two dishes at an entertainment for friends; and when the family dines alone, the fore or hind quarter will make a reasonable dish, and seasoned with a little pepper or salt will be very good boiled on the fourth day, especially in winter .

Swift makes use of verbal irony in his essay in which he advocates eating children as a means of solving the issue of famine and poverty . Of course, Swift does not literally mean what he is saying. Instead, his verbal irony is used to showcase the dire situation faced by those who are impoverished and their limited resources or solutions. In addition, this irony is meant as a call to action among those who are not suffering from hunger and poverty to act in a charitable way towards those less fortunate.

Example 4: 1984 by George Orwell

War is Peace ; Freedom is Slavery and Ignorance is Strength .

There are several types of irony involved in the novel, 1984 , by George Orwell . The very first example is the slogan given at the beginning of the novel. This slogan is “ War is Peace ; Freedom is Slavery and Ignorance is Strength.” Almost every abstract idea is given beside or parallels to the idea that is contrary to it. These oxymoronic statements show the irony latent in them that although Oceania is at war, yet it is stressing the need for peace and the same is the case with others that although all are slaves of the state, they are calling it freedom. This is verbal irony.

Another example is that of situational irony. It is in the relationship of Winston and Julia that he secretly cherishes to have sexual advances toward her but outwardly hates her. When Julia finds that the place where it must be shunned, Junior Anti-Sex League, is the best place for such actions to do in hiding, it becomes a situational irony.

Synonyms of Irony

Some of the most known synonyms of irony are sarcasm, sardonicism, bitterness, cynicism, mockery, ridicule, derision, scorn, sneering, wryness, or backhandedness.

Related posts:

• Dramatic Irony
• 10 Examples of Irony in Shakespeare
• 15 Irony Examples in Disney Movies
• 11 Examples of Irony in Children’s Literature
• 12 Thought Provoking Examples of Irony in History
• Top 12 Examples of Irony in Poetry
• 10 Irony Examples in Shakespeare
• Romeo and Juliet Dramatic Irony
• Brevity is the Soul of Wit
• To Thine Own Self Be True
• Frailty, Thy Name is Woman
• My Kingdom for a Horse
• Lady Doth Protest too Much
• The Quality of Mercy is Not Strain’d
• Ignorance is Strength

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What Is Irony? Definition, Usage, and Literary Examples

Irony definition.

Irony  (EYE-run-ee) is a literary device in which a word or event means something different—and often contradictory—to its actual meaning. At its most fundamental, irony is a difference between reality and something’s appearance or expectation, creating a natural tension when presented in the  context  of a story. In recent years, irony has taken on an additional meaning, referring to a situation or joke that is subversive in nature; the fact that the term has come to mean something different than what it actually does is, in itself, ironic.

The history of the word points to its somewhat deceptive nature. It comes from the Ancient Greek  eiron , meaning a stock character in early theatrical productions who feigns ignorance to fool someone else.

Types of Irony

When someone uses irony, it is typically in one of the three ways: verbal, situational, or dramatic.

Verbal Irony

In this form of irony, the speaker says something that differs from—and is usually in opposition with—the real meaning of the word(s) they’ve used. Take, for example, Edgar Allan Poe’s short story  “The Cask of Amontillado.”  As Montresor encloses Fortunato into the catacombs’ walls, he mocks Fortunato’s plea—”For the love of God, Montresor!”—by replying, “Yes, for the love of God!” Poe uses this to underscore how Montresor’s actions are anything but loving or humane—thus, far from God.

Situational Irony

This occurs when there is a difference between the intention of a specific situation and its result. The result is often unexpected or contrary to a person’s goal. The entire  plot  of L. Frank Baum’s  The Wonderful Wizard of Oz  hinges on situational irony. Dorothy and her friends spend the story trying to reach the Wizard so Dorothy can find a way back home, but in the end, the Wizard informs her that she had the power and knowledge to return home all along.

Dramatic Irony

Here, there is a disparity in how a character understands a situation and how the audience understands it. In Henrik Ibsen’s play  A Doll’s House , the married Nora excitedly anticipates the day when she’ll be able to repay Krogstad, who illegally lent her money. She imagines a future “free from care,” but the audience understands that, because Nora must continue to lie to her husband about the loan, she will never be free.

Not all irony adheres perfectly to one of these definitions. In some cases, irony is simply irony, where something’s appearance on the surface is substantially different from the truth.

Irony vs. Coincidence

Irony is often confused with coincidence. Though there is some overlap between the two terms, they are not the same thing. Coincidence describes two or more unlikely activities that share unexplainable similarities. It is often confused with situational irony. For example, finding out a friend you made in adulthood went to your high school is a coincidence, not an ironic event. Additionally, coincidence isn’t classifiable by type.

Irony, on the other hand, has a much starker and more substantial disparity between intention and result, with the result often the direct opposite of the intention. For example, the fact that the word  lisp  is ironic, considering it refers to an inability to properly pronounce  s  sounds but itself contains an  s .

The Functions of Irony

How an author uses irony depends on their intentions and the story or scene’s larger  context . In much of literature, irony highlights a larger point the author is making—often a commentary on the inherent difficulties and messiness of human existence.

With verbal irony, a writer can demonstrate a character’s intelligence, wit, or snark—or, as in the case of “ The Cask of Amontillado ,” a character’s unmitigated evil. It is primarily used in dialogue and rarely offers up any insight into the plot or meaning of a story.

With dramatic irony, a writer illustrates that knowledge is always a work in progress. It reiterates that people rarely have all the answers in life and can easily be wrong when they don’t have the right information. By giving readers knowledge the characters do not have, dramatic irony keeps readers engaged in the story; they want to see if and when the characters learn this information.

Finally, situational irony is a statement on how random and unpredictable life can be. It showcases how things can change in the blink of an eye and in bigger ways than one ever anticipated. It also points out how humans are at the mercy of unexplained forces, be they spiritual, rational, or matters of pure chance.

Irony as a Function of Sarcasm and Satire

Satire and  sarcasm  often utilize irony to amplify the point made by the speaker.

Sarcasm is a rancorous or stinging expression that disparages or taunts its subject. Thus, it usually possesses a certain amount of irony. Because inflection conveys sarcasm more clearly, saying a sarcastic remark out loud helps make the true meaning known. If someone says “Boy, the weather sure is beautiful today” when it is dark and storming, they’re making a sarcastic remark. This statement is also an example of verbal irony because the speaker is saying something in direct opposition to reality. But an expression doesn’t necessarily need to be verbal to communicate its sarcastic nature. If the previous example appeared in a written work, the application of italics would emphasize to the reader that the speaker’s use of the word  beautiful  is suspect. To further clarify, the remark would closely precede or follow a description of the day’s unappealing weather.

Satire is an entire work that critiques the behavior of specific individuals, institutions, or societies through outsized humor. Satire normally possesses both irony and sarcasm to further underscore the illogicality or ridiculousness of the targeted subject. Satire has a long history in literature and popular culture. The first known satirical work, “The Satire of the Trades,” dates back to the second millennium BCE. It discusses a variety of trades in an exaggerated, negative light, while presenting the trade of writer as one of great honor and nobility.  Shakespeare  famously satirized the cultural and societal norms of his time in many of his plays. In 21st-century pop culture,  The Colbert Report  was a political satire show, in which host Stephen Colbert played an over-the-top conservative political commentator. By embodying the characteristics—including vocal qualities—and beliefs of a stereotypical pundit, Colbert skewered political norms through abundant use of verbal irony. This is also an example of situational irony, as the audience knew Colbert, in reality, disagreed with the kind of ideas he was espousing.

Uses of Irony in Popular Culture

Popular culture has countless examples of irony.

One of the most predominant, contemporary references, Alanis Morissette’s hit song “Ironic” generated much controversy and debate around what, exactly, constitutes irony. In the song, Morissette sings about a variety of unfortunate situations, like rainy weather on the day of a wedding, finding a fly floating in a class of wine, and a death row inmate being pardoned minutes after they were killed. Morissette follows these lines with the question, “Isn’t it ironic?” In reality, none of these situations is ironic, at least not according to the traditional meaning of the word. These situations are coincidental, frustrating, or plain bad luck, but they aren’t ironic. The intended meaning of these examples is not disparate from their actual meanings. For instance, another line claims that having “ten thousand spoons when all you need is a knife” is ironic. This would only be ironic, if, say, the person being addressed made knives for a living. Morissette herself has acknowledged the debate and asserted that the song itself is ironic because none of the things she sings about are ironic at all.

Pixar/Disney’s movie  Monsters, Inc.  is an example of situational irony. In the world of this movie, monsters go into the human realm to scare children and harvest their screams. But, when a little girl enters the monster world, it’s revealed that the monsters are actually terrified of children. There are also moments of dramatic irony. As protagonist Sully and Mike try to hide the girl’s presence, she instigates many mishaps that amuse the audience because they know she’s there but other characters have no idea.

In the iconic television show  Breaking Bad , DEA agent Hank Schrader hunts for the elusive drug kingpin known as Heisenberg. But what Hank doesn’t know is that Heisenberg is really Walter White, Hank’s brother-in-law. This is a perfect example of dramatic irony because the viewers are aware of Walter’s secret identity from the moment he adopts it.

Examples of Irony in Literature

1. Jonathan Swift,  “A Modest Proposal”

Swift’s 1729 essay is a satire rich in verbal ironies. Under the guise of a serious adviser, Swift suggests a way that poor Irish communities can improve their lot in life: selling their children to rich people. He even goes a step further with his advice:

I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled; and I make no doubt that it will equally serve in a fricassee or a ragout.

Obviously, Swift does not intend for anyone to sell or eat children. He uses verbal ironies to illuminate class divisions, specifically many Britons’ attitudes toward the Irish and the way the wealthy disregard the needs of the poor.

2. William Shakespeare,  Titus Andronicus

This epic Shakespeare tragedy is brutal, bloody, farcical, and dramatically ironic. It concerns the savage revenge exacted by General Titus on those who wronged him. His plans for revenge involve Tamora, Queen of the Goths, who is exacting her own vengeance for the wrongs she feels her sons have suffered. The audience knows from the outset what these characters previously endured and thus understand the true motivations of Titus and Tamora.

In perhaps the most famous scene, and likely one of literature’s most wicked dramatic ironies, Titus slays Tamora’s two cherished sons, grinds them up, and bakes them into a pie. He then serves the pie to Tamora and all the guests attending a feast at his house. After revealing the truth, Titus kills Tamora—then the emperor’s son, Saturninus, kills Titus, then Titus’s son Lucius kills Saturninus and so on.

3. O. Henry,  “The Gift of the Magi”

In this short story, a young married couple is strapped for money and tries to come up with acceptable Christmas gifts to exchange. Della, the wife, sells her hair to get the money to buy her husband Jim a watchband. Jim, however, sells his watch to buy Della a set of combs. This is a poignant instance of situational irony, the meaning of which O. Henry accentuates by writing that, although “[e]ach sold the most valuable thing he owned in order to buy a gift for the other,” they were truly “the wise ones.” That final phrase compares the couple to the biblical Magi who brought gifts to baby Jesus, whose birthday anecdotally falls on Christmas Day.

4. Margaret Atwood,  The Handmaid’s Tale

Atwood’s dystopian novel takes place in a not-too-distant America. Now known as Gilead, it is an isolated and insular country run by a theocratic government. Since an epidemic left many women infertile, the government enslaves those still able to conceive and assigns them as handmaids to carry children for rich and powerful men. If a handmaid and a Commander conceive, the handmaid must give the child over to the care of the Commander and his wife. Then, the handmaid is reassigned to another “post.”

A primary character in the story is Serena Joy, a Commander’s wife. In one of the book’s many ironic instances, it is revealed that Serena, in her pre-Gilead days, was a fierce advocate for a more conservative society. Though she now has the society she fought for, women—even Commanders’ wives—have few rights. Thus, she ironically suffers from the very reforms she spearheaded.

Further Resources on Irony

The Writer  has  an article  about writing and understanding irony in fiction.

Penlighten ‘s detailed  list of irony examples  includes works mainly from classic literature.

Publishing Crawl  offers  five ways to incorporate dramatic irony into your writing .

Harvard Library has an in-depth breakdown of  the evolution of irony in postmodern literature .

TV Tropes  is  a comprehensive resource for irony  in everything from literature and anime to television and movies.

Related Terms

• Literary Terms
• Definition & Examples
• When & How to Use Irony

I. What is Irony?

Irony (pronounced ‘eye-run-ee’) is when there are two contradicting meanings of the same situation, event, image, sentence, phrase, or story.  In many cases, this refers to the difference between expectations and reality.

For example, if you go sight-seeing anywhere in the world today, you will see crowds of people who are so busy taking cell-phone pictures of themselves in front of the sight that they don’t actually look at what they came to see with their own eyes.  This is ironic, specifically, situational irony . This one situation has two opposing meanings that contradict expectations: (1) going to see a sight and prove that you were there (2) not enjoying the thing you went to see.

Irony is often used for critical or humorous effect in literature, music, art, and film (or a lesson).  In conversation, people often use verbal irony to express humor, affection, or emotion, by saying the opposite of what they mean to somebody who is expected to recognize the irony.  “I hate you” can mean “I love you”—but only if the person you’re saying it to already knows that! This definition is, of course, related to the first one (as we expect people’s words to reflect their meaning) and in most cases, it can be considered a form of sarcasm.

II. Examples of Irony

A popular visual representation of irony shows a seagull sitting on top of a “no seagulls” sign. The meaning of the sign is that seagulls are not allowed in the area.  The seagull sitting on the sign not only contradicts it, but calls attention to the absurdity of trying to dictate where seagulls may or may not go, which makes us laugh.

Another example is a staircase leading up to a fitness center, with an escalator running alongside it. All the gym patrons are using the escalator and no one is on the stairs. Given that this is a fitness center, we’d expect that everyone should be dedicated to health and exercise, and so they would use the free exercise offered by the stairs. But instead, they flock to the comfort of the escalator, in spite of the fact that they’ve come all this way just to exercise. Once again, our expectations are violated and the result is irony and humor.

Aleister Crowley, a famous English mystic of the early twentieth century, who taught that a person could do anything if they mastered their own mind, died of heroin addiction. This is ironic because the way he died completely contradicts what he taught.

III. The Importance of Irony

The most common purpose of irony is to create humor and/or point out the absurdity of life. As in the all of the examples above, life has a way of contradicting our expectations, often in painful ways. Irony generally makes us laugh, even when the circumstances are tragic, such as in Aleister Crowley’s failure to beat his addiction. We laugh not because the situations were tragic, but because they violate our expectations.  The contrast between people’s expectations and the reality of the situations is not only funny, but also meaningful because it calls our attention to how wrong human beings can be.  Irony is best when it points us towards deeper meanings of a situation.

IV. Examples of Irony in Literature

In O. Henry’s famous short story The Gift of the Magi , a husband sells his prized watch so that he can buy combs as a gift for his wife. Meanwhile, the wife sells her beautiful hair so she can buy a watch-chain for her husband. The characters ’ actions contradict each other’s expectations and their efforts to give each other gifts make the gifts useless.

Edgar Allen Poe’s The Cask of Amantillado is full of verbal and situational irony, including the name of the main character. He’s called Fortunato (Italian for “fortunate”), in spite of the fact that he’s extremely unlucky throughout the story.

Water, water everywhere, nor any a drop to drink.

This line from Samuel Coleridge’s “Rime of the Ancient Mariner” describes the dark irony of a sailor dying of thirst on his boat while he is surrounded by water.

V. Examples of Irony in Pop Culture

Alannis Morisette’s popular song “Ironic” contains such lyrics as:

Rain on your wedding day A free ride when you’ve already paid Good advice that you just didn’t take

These are not examples of irony . They’re just unfortunate coincidences. However, the fact that her song is called “Ironic” and yet has such unironic lyrics is itself ironic. The title contradicts the lyrics of the song. It isn’t, so your expectations are violated.

In Disney’s Aladdin , Aladdin wishes for riches and power so that he can earn the right to marry Princess Jasmine. Thanks to the genie’s magic, he gets all the wealth he could ask for and parades through the streets as a prince. But, ironically, this makes him unattractive to the princess and he finds himself further away from his goal than he was as a poor beggar. In this case, it’s the contrast between Aladdin’s expectations and results which are ironic.

Related terms

Sarcasm is a kind of verbal irony that has a biting or critical tone, although it can be used to express affection between friends It is one of the most common forms of irony in fiction and in real life. We’ve all heard people use verbal irony to mock, insult, or poke fun at someone or something. For example, here’s a famous sarcastic line from The Princess Bride :

Truly, you have a dizzying intellect.

In the scene, Wesley is insulting the intelligence of Vizzini the Sicilian using verbal irony (the word “truly” makes it even more ironic, since Wesley is reassuring Vizzini of the truth of an untrue statement). The line is both ironic and mean, and therefore it’s sarcastic . One needs to be a little careful with sarcasm, since you can easily hurt people’s feelings or make them angry.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

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Irony: definition, types, and examples

Holly Stanley

“That’s so ironic!” We’ve all probably uttered these words at some point. In fact, you probably hear “isn’t it ironic?” all the time. Irony is one of the English language’s most misused and abused words. 

Irony has become synonymous with coincidence, bad luck, and pleasant surprises. But most things in life aren’t ironic . 

So if coincidences, bad luck, and unusual situations aren’t, what is ironic ? Let’s track down the misused word and uncover what situations it pertains to. 

Irony definition

The use of irony shows the contrast or incongruity between how things appear and how they are in reality. The remark “how ironic” indicates a meaning that’s the opposite of its precise meaning. 

In an ironic phrase, one thing is said, while another thing is meant. For example, if it were a cold, rainy gray day, you might say, “What a beautiful day!” Or, alternatively, if you were suffering from a bad bout of food poisoning, you might say, “Wow, I feel great today.”

These are both examples of irony –– verbal irony, to be precise –– the most frequently used type of irony (more on that later.)

Where does the word irony come from? 

Looking at irony’s origins can help with understanding how to best use the word. The word irony comes from the Latin ironia , meaning “feigned ignorance,” and previously from the Greek eironeia . Eiron, a Greek comic, was an intelligent underdog who used his wit to triumph over the egotistical character Alazon.

Since irony describes an outcome that contrasts with the originally expected results, you’ll see that writers generally use irony to build tension, create humor, or as a plot twist. 

When is something not ironic? 

When pinpointing the definition of irony , it can be helpful to look at when situations are incorrectly labeled as ironic . Irony is often used as a synonym for a caustic remark, something that’s interesting, or sarcastic.

What about the song Ironic ? 

Even singer Alanis Morissette got the definition wrong in her hit 1995 single “Ironic.” In fact, the criticism of her song was so strong, she had to clarify that she wasn’t technically trying to say that every line of the song was ironic.

Let’s take a closer look at Morissette’s timeless song lyrics:

It’s like rain on your wedding day,

It’s a free ride when you’ve already paid,

It’s the good advice that you just didn’t take.

While it could be considered bad luck, rain on a wedding day isn’t ironic , since it’s not as though it’s a given that every wedding day will have perfect sunny weather.

In a similar vein, a free ride when you’ve already paid or not taking good advice isn’t ironic either. The former is unusual and the latter is something that’s interesting.

Types of irony

To help you better understand irony and how to use it in your writing, we’ll dive into five different types.

Verbal irony 

Verbal irony is when the intended meaning of a phrase is the opposite of what is meant. It’s a figure of speech used to emphasize the contrast in meanings. It’s often used as a way of injecting witty humor into someone’s speech or writing. 

There are many English expressions that epitomize verbal irony. Here are a few:

•  “Fat chance!”

•  “Clear as mud”

•  “As soft as concrete”

Verbal irony works best as a literary technique when the reader already knows the initial concepts. For instance, it’s common knowledge that concrete is hard, and mud is opaque.

As you might imagine, an ironic understatement creates contrast by undermining the impact of something, despite the subject itself being quite severe. 

In J.D. Salinger’s novel, The Catcher in the Rye , the character Holden Caulfield says, “I have to have this operation. It isn’t very serious. I have this tiny little tumor on the brain.”

Of course, having a brain tumor is a serious health issue, which Holden downplays in this excerpt. 

Alternatively, an ironic overstatement makes something insignificant sound like a bigger deal than it is to highlight how minor it is. Statements like these are figurative language and are the opposite of their literal meaning.

Say you go for a job interview, but it’s a trainwreck because you spill coffee on your brand-new suit, are 20 minutes late, and forget the interviewer’s name. Your partner asks you how it went and you say, “Aced it, best interview of my life” –– that’s an ironic overstatement.

If verbal irony sounds like it’s pretty familiar, it’s because sarcasm is actually a form of verbal irony (more on that later.) 

Dramatic irony 

A favorite in many famous movies and books, dramatic irony is a literary device where the reader or spectator knows critical information but the characters don’t. 

One of the most famous examples of literary dramatic irony is in O. Henry’s short story, “The Gift of the Magi.” A recently married couple chooses independently to sacrifice and sell what means most to them to buy a Christmas gift for the other. 

But in a twist of fate, the gifts they receive from each other are meant for the prized possessions they just sold. Although their sacrifices show the love they have for one another, the gifts they receive are actually useless.

Dramatic irony is a staple in horror movies. For example, the main character hides under the bed where the killer is hiding (the audience knows the killer is there but the protagonist doesn’t.) This form of irony is a great way of keeping the audience on the edge of their seats and building tension. 

Tragic irony 

In tragic irony, a subset of dramatic irony, the words, and actions of the characters contradict reality, often in a tragic or devastating way, which the readers or spectators realize.

Tragic irony came to define many ancient Greek tragedies. For instance, in Sophocles’ “Oedipus Rex,” the audience can see what Oedipus is blind to: he’s actually killing his own father. 

William Shakespeare was also a fan of using tragic irony to keep the audience gripped to a compelling, often sorrowful plotline. In Romeo and Juliet , when Romeo is alerted of Juliet’s death, he assumes the tragic news to be true. 

But the audience knows that Juliet has, in fact, just faked her death with the help of a potion. Romeo, on the other hand, thinks Juliet is dead and, as a result, commits suicide.

Socratic irony  

Socratic irony gets its name from the moral philosopher Socrates, who would often fake ignorance to reveal someone’s misconstrued assumptions. It’s one of the more manipulative types of irony and is one way of getting information out of someone that can then be used against them later. 

You might recognize socratic irony in courtroom scenes from legal dramas like Suits . Lawyers often use rhetorical tricks, like socratic irony , to get someone to confess or admit something. 

Socratic irony is also perfect for comedies, too. In a classic scene from the American comedy T he Office , Michael knows that Dwight lied about going to the dentist. When Dwight returns, Michael goes for some rather ineffective rhetorical questioning to try and catch Dwight out. 

Situational irony 

Situational irony or the “irony of events” is when the reality contradicts an expected outcome. 

In movies and literature, situational irony ensures things are unpredictable and interesting. After all, it’d be dull if the plot turned out exactly how we expected every time. It’s not how life or fictional storytelling works. 

With situational irony, we learn at the same time as the characters that our expectations are different from reality.

For example in American Psycho , Patrick Bateman confesses to committing a string of murders but is laughed off. We anticipate that he’ll be punished for his crimes, but he isn’t, making it a perfect example of situational irony.

The Wonderful Wizard of Oz is another story full of examples of situational irony. Dorothy longs to go home and fulfills the wizard’s demanding list of tasks only to find out she had the ability to return home all along. The lion who appears to be a coward is actually courageous and the scarecrow who wants to be intelligent is actually a genius.

Situational irony is linked to the concept of cosmic irony –– when the universe or gods seemingly conspire for an event for its own amusement. 

Cosmic irony is a subcategory of situational irony but is defined by the inclusion of a supernatural element. There’s still a situation where the reality and expectation are different but there is another element involved –– a higher power if you will. This could be god, the universe, or fate. 

Remember that the “irony of events” isn’t the same as a coincidence or plain bad luck. 

What’s the difference between irony and sarcasm?

Ah, “sarcasm the lowest form of wit” as the writer, Oscar Wilde, once said. While Wilde wasn’t a fan, a sarcastic jibe here and there isn’t always bad news.

People often mix up irony and sarcasm. As we touched on briefly above, sarcasm is actually a type of irony. 

So the difference between sarcasm and irony is pretty small and nuanced. Once you’re clear on how sarcasm fits into irony, you won’t find yourself identifying sarcasm as irony again.

In its simplest form, irony refers to situations where the outcome is the opposite of what you or the reader expect. 

If a prediction is black, then the outcome would be white. Not off-white or gray, it would have to be totally the opposite of black. 

Sarcasm, on the other hand, is a form of expression that’s generally pointed at a person with the objective of criticizing or denigrating someone. Sarcasm is usually insincere speech and can have a condescending tone to it, with the purpose of insulting or embarrassing someone. 

Let’s take a look at both verbal irony and sarcasm side by side:

Verbal irony — Wife saying, “What a beautiful stormy day for a swim.”

Sarcasm —  Husband saying to the same wife, “The middle of the hurricane season was a great time for a vacation out here.” 

See how with verbal irony, it’s ironic because the weather isn’t beautiful for swimming. Instead, the opposite is true –– it’s unpleasant and sometimes dangerous to swim during a storm. 

But sarcasm is making a sneering comment about choosing to go on vacation in the middle of hurricane season. When you see the two statements together, it’s easier to see how they differ from one another. 

Let’s look at some more sarcasm examples:

•  After someone tells a boring or never-ending story: “That’s so fascinating.”

•  After failing your driving test: “Well, that went well.” 

•  Self-deprecating: “ Dinner is burned, I’m such a great chef. ”

To easily differentiate between sarcasm and irony, remember that irony applies to situations while sarcasm is a form of expression. In a way, sarcasm is like irony dressed up with a sassy attitude.

Key takeaways: irony

So, that’s a wrap. Irony isn’t all that difficult to wrap your head around when you know what to look for. Ultimately, irony is just the use of words to express something that’s the opposite of the literal meaning.

When used correctly, irony helps you inject humor and wit into your writing while keeping things interesting and unexpected for the reader. 

Looking to make your writing more engaging? Try a free trial with Writer today. 

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What Is Irony? Definition and 5 Different Types of Irony to Engage Readers

by Fija Callaghan

Most of us are familiar with irony in our day to day lives—for instance, if you buy a brand new car only to have it break down on its very first ride (situational irony). Or if someone tells you they love your new dress, when what they actually mean is that it flatters absolutely no one and wasn’t even fashionable in their grandparent’s time (verbal irony).

Ironic understatement and ironic overstatement make their way into our conversations all the time, but how do you take those rascally twists of fate and use them to create a powerful story?

There are countless examples of irony in almost all storytelling, from short stories and novels to stage plays, film, poetry, and even sales marketing. Its distinctive subversion of expectation keeps readers excited and engaged, hanging on to your story until the very last page.

What is irony?

Irony is a literary and rhetorical device in which a reader’s expectation is sharply contrasted against what’s really happening. This might be when someone says the opposite of what they mean, or when a situation concludes the opposite of how one would expect. There are five types of irony: Tragic, Comic, Situational, Verbal, and Socratic.

The word irony comes from the Latin ironia , which means “feigned ignorance.” This can be a contradiction between what someone says and what they mean, between what a character expects and what they go on to experience, or what the reader expects and what actually happens in the plot. In all cases there’s a twist that keeps your story fresh and unpredictable.

By using different kinds of irony—and we’ll look at the five types of irony in literature down below—you can manage the reader’s expectations to create suspense and surprise in your story.

What’s not irony?

The words irony and ironic get thrown around a fair bit, when sometimes what someone’s really referring to is coincidence or plain bad luck. So what constitutes irony? It’s not rain on your wedding day, or or a free ride when you’ve already paid. Irony occurs when an action or event is the opposite of its literal meaning or expected outcome.

For example, if the wedding was between a woman who wrote a book called Why You Don’t Need No Man and a man who held a TEDtalk called “Marriage As the Antithesis of Evolution,” their wedding (rainy or not) would be ironic—because it’s the opposite of what we would expect.

Another perfect example of irony would be if you listened a song called “Ironic,” and discovered it wasn’t about irony after all.

Why does irony matter in writing?

Irony is something we all experience, sometimes without even recognizing it. Using irony as a literary technique in your writing can encourage readers to look at your story in a brand new way, making them question what they thought they knew about the characters, theme, and message that your story is trying to communicate.

Subverting the expectations of both your readers and the characters who populate your story world is one of the best ways to convey a bold new idea.

Aesop used this idea very effectively in his moralistic children’s tales, like “The Tortoise and the Hare.” The two title characters are set up to race each other to the finish line, and it seems inevitable that the hare will beat the tortoise easily. By subverting our expectations, and leading the story to an unexpected outcome, the author encourages the reader to think about what the story means and why it took the turn that it did.

The 5 types of irony

While all irony functions on the basis of undermining expectations, this can be done in different ways. Let’s look at the different types of irony in literature and how you can make them work in your own writing.

1. Tragic irony

Tragic irony is the first of two types of dramatic irony—both types always show the reader more than it shows its characters. In tragic dramatic irony, the author lets the reader in on the downfall waiting for the protagonist before the character knows it themselves.

This is a very common and effective literary device in many classic tragedies; Shakespeare was a big fan of using tragic irony in many of his plays. One famous example comes at the end of Romeo and Juliet , when poor Romeo believes that his girlfriend is dead. The audience understands that Juliet, having taken a sleeping potion, is only faking.

Carrying this knowledge with them as they watch the lovers hurtle towards their inevitable, heartbreaking conclusion makes this story even more powerful.

Another example of tragic irony is in the famous fairy tale “Red Riding Hood,” when our red-capped heroine goes to meet her grandmother, oblivious of any danger. The reader knows that the “grandmother” is actually a vicious, hungry wolf waiting to devour the girl, red hood and all. Much like curling up with a classic horror movie, the reader can only watch as the protagonist comes closer and closer to her doom.

This type of irony makes the story powerful, heartbreaking, and deliciously cathartic.

2. Comic irony

Comic irony uses the same structure as dramatic irony, only in this case it’s used to make readers laugh. Just like with tragic irony, this type of irony depends on allowing the reader to know more than the protagonist.

For example, a newly single man might spend hours getting ready for a blind date only to discover that he’s been set up with his former girlfriend. If the reader knows that both parties are unaware of what’s waiting for them, it makes for an even more satisfying conclusion when the two unwitting former lovers finally meet.

TV sitcoms love to use comedic irony. In this medium, the audience will often watch as the show’s characters stumble through the plot making the wrong choices. For example, in the TV series Friends , one pivotal episode shows a main character accepting a sudden marriage proposal from another—even though the audience knows the proposal was made unintentionally.

By letting the audience in on the secret, it gives the show an endearing slapstick quality and makes the viewer feel like they’re a part of the story.

3. Situational irony

Situational irony is when a story shows us the opposite of what we expect. This might be something like an American character ordering “shop local” buttons from a factory in China, or someone loudly championing the ethics of a vegan diet while wearing a leather jacket.

When most people think about ironic situations in real life, they’re probably thinking of situational irony—sometimes called cosmic irony. It’s also one of the building blocks of the twist ending, which we’ll look at in more detail below.

The author O. Henry was a master of using situational irony. In his short story “ The Ransom of Red Chief ,” two desperate men decide to get rich quick by kidnapping a child and holding him for ransom. However, the child in question turns out to be a horrendous burden and, after some negotiating, the men end up paying the parents to take him off their hands. This ironic twist is a complete reversal from the expectation that was set up at the beginning.

When we can look back on situational irony from the past, it’s sometimes called historical irony; we can retrospectively understand that an effort to accomplish one thing actually accomplished its opposite.

4. Verbal irony

Verbal irony is what we recognize most in our lives as sarcasm. It means saying the opposite of your intended meaning or what you intend the reader to understand, usually by either understatement or overstatement. This can be used for both tragic and comic effect.

For example, in Shakespeare’s Julius Caesar , Mark Anthony performs a funeral speech honoring the character Brutus. He repeatedly calls him “noble” and “an honorable man,” even though Brutus was actually involved in the death of the man for which the funeral is being held. Mark Anthony’s ironic overstatement makes the audience aware that he actually holds the opposite regard for the villain, though he is sharing his inflammatory opinion in a tactful, politically safe way.

Verbal irony is particularly common in older and historical fiction in which societal constraints limited what people were able to say to each other. For example, a woman might say that it was dangerous for her to walk home all alone in the twilight, when what she really meant is that she was open to having some company.

In Jane Austen’s Pride and Prejudice , the two younger girls wail that they’ve hurt their ankles, hoping to elicit some sympathy from the strong arms of the men. You can use this kind of rhetorical device to enhance your character development.

5. Socratic irony

Socratic irony is actually a little bit like dramatic irony, except that it happens between two characters rather than between the characters and the reader. This type of irony happens when one character knows something that the other characters don’t.

It’s a manipulative technique that a character uses in order to achieve a goal—to get information, to gain a confession, or to catch someone in a lie. For example, police officers and lawyers will often use this technique to trip someone up: They’ll pretend they don’t know something and ask questions in order to trick someone into saying something they didn’t intend.

Usually Socratic irony is used in a sly and manipulative way, but not always; a teacher might use the Socratic irony technique to make a child realize they know more about a subject than they thought they did, by asking them leading questions or to clarify certain points. Like verbal irony, Socratic irony involves a character saying something they don’t really mean in order to gain something from another character.

Is irony the same as a plot twist?

The “plot twist” is a stylistic way of using situational irony. In the O. Henry example we looked at above, the author sets up a simple expectation at the start of the story: the men will trade in the child for hard cash and walk away happy. Alas, life so rarely goes according to plan. By the time we reach the story’s conclusion, our expectation of the story has been completely twisted around in a fun, satisfying way.

Not all situational irony is a plot twist, though. A plot twist usually comes either at the end or at the midpoint of your story. Situational irony can happen at any time as major plot points, or as small, surprising moments that help us learn something about our characters or the world we live in.

You’ll often see plot twists being compared to dramatic irony, because they have a lot in common. Both rely on hidden information and the gradual unfurling of secrets. The difference is that with a plot twist, the reader is taken by surprise and given the new information right along with the characters. With dramatic irony, the reader is in on the trick and they get to watch the characters being taken off guard.

Both dramatic irony and plot twists can be used quite effectively in writing. It’s up to you as the writer to decide how close you want your readers and your characters to be, and how much you want them to experience together.

How to use irony in your own writing

One of the great advantages of irony is that it forces us to look at things in a new way. This is essential when it comes to communicating theme to your reader.

In literature, theme is the underlying story that’s being told—a true story, a very real message or idea about the world we live in, the way we behave within it, or how we can make it a better place. In order to get that message across to our readers, we need to give them a new way to engage with that story. The innate subversion of expectations in irony is a wonderful way to do this.

For example, the classic fairy tale “Beauty and the Beast” uses irony very effectively to communicate its theme: don’t judge a person by their appearance.

Based on our preconceptions of this classic type of fairy tale, we would go in expecting the handsome young soldier to be the hero and the beastly monster to be the adversary. We might also expect the beautiful girl to be helpless and weak-spirited, waiting for her father to come in and save her. In this story, however, it’s the girl who saves her foolish father, the handsome soldier who shows himself to be the true monster, and the beast who becomes a hero to fight for those he cares about.

Not only do these subversions make for a powerful and engaging story, they do something very important for our readers: they make them ask themselves why they had these preconceptions in the first place. Why do we expect the handsome soldier to be noble and kind? Why do we expect the worst from the man with the beastly face before even giving him the chance to speak?

It’s these honest, sometimes uncomfortable questions, more than anything else, that make the theme real for your reader.

When looking for ways to weave theme throughout your story, consider what preconceived ideas your reader might be coming into the story with that might stand in the way of what you’re trying to say. Then see if you can find ways to make those ideas stand on their head. This will make the theme of your story more convincing, resonant, and powerful.

The one mistake to never make when using irony in your story

I’m going to tell you one of life’s great truths, which might be a bit difficult for some people to wrap their heads around. Embrace it, and you’ll leave your readers feeling a lot happier and more satisfied at the end of your story. Here it is:

You don’t need to be the smartest person in the room.

Have you ever been faced with a plot twist in a story and thought, “but that doesn’t make any sense”? Or realized that a surprising new piece of information rendered the events of the plot , or the effective slow build of characterization, absolutely meaningless?

These moments happen because the author became so enamored with the idea of pulling a fast one on the reader, revealing their cleverly assembled sleight-of-hand with the flourish of a theater curtain, that they forget the most important thing: the story .

When using irony in your work, the biggest mistake you can make is to look at it like a shiny, isolated hat trick. Nothing in your story is isolated; every moment fits together as a thread in a cohesive tapestry.

Remember that even if an ironic turn is unexpected, it needs to make sense within the world of your story. This means within the time and place you’ve created—for instance, you wouldn’t create an ironic twist in a medieval fantasy by suddenly having a character whip out a cellphone—but also within the world of your characters.

For example, if it turns out your frail damsel in distress is actually a powerful sorceress intent on destroying the hero, that’s not something you can just drop into your story unannounced like a grenade (no matter how tempting it might be). You need to begin laying down story seeds for that moment right from the beginning. You want your reader to be able to go back and say “ ohhh , I see what they did there. It all makes sense now.”

Irony—in particular the “twist ending”—can be fun, surprising, and unexpected, but it also needs to be a natural progression of the world you’ve created.

Irony is a literary device that reveals new dimension

To understand irony, we need to understand expectation in our audience or readers. When you’re able to manipulate these expectations, you engage your audience in surprising ways and maybe even teach them something new.

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20 Irony Examples: In Literature and Real Life

Millie Dinsdale

Irony occurs when what happens is the opposite from what is expected.

Writers use irony as a literary technique to add humor, create tension, include uncertainty, or form the central plot of a story.

We will be looking at the four types of irony (three common and one uncommon) and providing examples and tips to help you identify and use them in your work.

Quick Reminder of What Irony Is

Irony examples in literature, irony examples in real life, which scenario is an example of irony.

Irony is a rhetorical device in which the appearance of something is opposite to its reality .

There are four main types of irony: verbal irony, dramatic irony, situational irony, and Socratic irony . Socratic irony is not a literary device, and therefore we will not be looking at examples, but it is worth being aware of.

• Verbal Irony is when a speaker says one thing but means something entirely different. The literal meaning is at odds with the intended meaning.
• Dramatic Irony is when the audience knows something that the characters don’t.
• Situational Irony is when what happens is the opposite of what you expect.
• Socratic Irony is when a person feigns ignorance in order to get another to admit to knowing or doing something. It is named after Socrates, the Greek philosopher, who used this technique to tease information out of his students.

Why is irony important to understand? Along with being a key rhetorical device, irony can also be very effective when used correctly in writing.

To demonstrate this fact we have selected ten examples of irony usage from popular literature. Warning: this list includes a few spoilers.

1) The main characters’ wishes in L. Frank Baum’s The Wonderful Wizard of Oz are a perfect example of situational irony .

The characters go on a quest to fulfill their hearts’ desires and instead of doing so they realize that they already had what they wanted all along. It is unexpected because the reader might assume that all of their desires will be gifted to the four main characters but, in the end, it’s unnecessary.

2) The conclusion between the two primary opponents in The Night Circus contains a large amount of situational irony .

The reader is led to expect that either Marco or Celia will win but, in the end, they both end up working together to keep their creation alive. The competition is not as black and white (pardon the pun) as it initially seems.

3) The Strange Case of Dr Jekyll and Mr Hyde is full of verbal irony . A great example of this is when Dr Jekyll says “I am quite sure of him,” when referring to Mr Hyde.

This is verbal irony because the reader finds out that Hyde is actually Jekyll’s alter ego, so it would be expected that he knows himself well.

4) Shakespeare creates dramatic irony in the prologue of Romeo and Juliet through the line: “A pair of star-cross’d lovers take their life.”

This well-known example is ironic because the reader knows from the very beginning that their romance will end in death, but they don’t yet know how.

5) Alice’s changing relationship with the Bandersnatch in Alice in Wonderland is situationally ironic .

When we first meet the Bandersnatch, he is ferocious and attempts to harm Alice. When Alice returns his eye, they become friends and the two work together to defeat the Jabberwocky. The audience expects to see an enemy but are instead presented with an ally.

6) George Orwell masters situational irony in Animal Farm through the animals’ endless and fruitless battle to obtain freedom.

All of the animals work together to escape the tyranny of the humans who own them. In doing so they end up under the even stricter rule of the pigs.

7) Roald Dahl’s short story A Lamb to a Slaughter is full of dramatic irony .

A housewife kills her husband with a frozen leg of lamb when he asks for a divorce. The police come looking for evidence and unknowingly dispose of it when they are fed the murder weapon for dinner.

8) The repeated line “May the odds be ever in your favor” in Suzanne Collins’ The Hunger Games is verbally ironic .

Everyone from district 1 through 12 can be offered as a child sacrifice and has a 1/24 chance of surviving. Even if they do survive they are then delivered back under the control of the Capitol, so the odds are in nobody’s favor.

9) The disparity between children and adults in Roald Dahl’s Matilda is situationally ironic .

Most of the adults in Matilda’s life are hot-headed, uneducated, and unreasonable, while she as a six-year old is more mature than most of them. The traditional roles of child and adult are unexpectedly flipped on their heads.

10) The hit-and-run in F. Scott Fitzgerald’s The Great Gatsby is situationally ironic .

Daisy Buchanan kills Myrtle when Myrtle runs in front of Gatsby’s car. It is ironic because Myrtle is Tom Buchanan’s mistress but Daisy does not know this. She unintentionally killed her husband's mistress.

Irony works so well in literature because it is so common in real life. Have you ever found yourself saying “well that’s ironic” to a situation in your life?

You could be talking about verbal, situational, or dramatic irony. Let’s take a look at a few everyday examples of each type.

11) When you find out that your pulmonologist (lung doctor) smokes.

This is situationally ironic because you’d expect this doctor of all people to avoid smoking because they understand all of the risks.

12) When someone falls over for the tenth time while ice-skating and says “I meant to do that.”

This person cannot be intending to fall over all the time but they are using verbal irony to make light of a possibly painful situation.

13) Your dog eats his certificate of dog-training obedience.

You would expect that in the process of having obtained an obedience certificate, the dog would also have learnt not to eat random objects. This is an example of situational irony .

14) The fire hydrant is on fire.

This is situationally ironic because the last thing that you would expect to be on fire is the object that is designed to fight fires. A similar example to this would be if a fire station were on fire.

15) A girl is teasing her friend for having mud on his face but she doesn’t know that she also has mud on her face.

From the point of view of the friend, this is an example of dramatic irony because he knows something that she does not.

16) Your mom buys a non-stick pan but has to throw it away because the label is so sticky she cannot get it off.

You would predict that the pan was completely non-stick but are proven wrong at the first hurdle, which is situationally ironic .

17) When someone crashes into a “thank you for driving carefully'' sign.

The vision of a car crashed into the sign makes it clear that they did not drive carefully at all, which is situationally ironic .

18) Buying your English teacher a mug that reads “your the best teacher ever.”

The poor English teacher may feel like they have failed in their job in this situationally ironic situation where their student has bought them a mug with a grammar mistake.

19) When a child says “I want crisps now!” and the parent says: “Thank you so much for using your good manners.”

The child is being impolite and the parent is not actually congratulating the child on their manners in this example of verbal irony . They mean the exact opposite.

20) You can’t open your new scissors because you don’t have any scissors to cut through the plastic.

This example of situational irony is far too common. In buying scissors, it can be expected that you do not have any, so it is ironic that the packaging is designed for someone who already has a pair.

Are you ready for a quick quiz to test your knowledge of irony? The test is split into the three types of irony.

Which of These Are Examples of Situational Irony?

1) A police station is robbed.

2) A child loses his rucksack after being told to take care not to lose it.

3) A person eats sweets while preaching about healthy eating

Only 1) and 3) are examples of situational irony. Sentence 2) is not a situational irony example because it could be expected that the child might lose the rucksack and that is why they were told to take care.

It would, however, be ironic if he subsequently lost his “Most Organized in 2nd Grade” certificate five minutes after being awarded it.

Which of These Are Examples of Verbal Irony?

1) Saying “The weather is lovely today” while it is hailing.

2) “Wow that perfume is so lovely, did you bathe in it?”

3) Saying “Thank you so much for your help” after someone has crushed your new glasses while helping to look for them.

Only example 1) is verbally ironic, the other two are sarcastic comments.

Verbal irony and sarcasm are often confused but there is one big difference between them: verbal irony is when what you say is the opposite of what you mean while sarcasm is specifically meant to embarrass or insult someone.

Which of These Are Examples of Dramatic Irony?

1) A small ship without life boats is stuck in a monumental storm in the middle of the Atlantic.

2) Three characters are killed and a fourth seems to be going the same way.

3) A girl walks down the same alley we have just seen a known murderer walk down.

Only option 3) is an example of dramatic irony because the audience knows that the murderer is down the alley but the girl does not.

Although the other two examples are undeniably dramatic, there is no inherent irony because the audience has no more knowledge about what will happen than those involved.

Why Should You Use Irony in Your Writing?

Irony can be an effective tool to make a reader stop and think about what has just happened.

It can also emphasize a central theme or idea by adding an unexpected twist to the events of the story.

What brilliant examples of irony in literature have we missed? Share your favorites in the comments.

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The Power of Dramatic Irony in Literature

This essay is about the literary device of dramatic irony, explaining how it creates suspense and emotional engagement by letting the audience know more than the characters. Examples include Shakespeare’s “Romeo and Juliet,” where the audience knows the tragic fate awaiting the lovers, and Harper Lee’s “To Kill a Mockingbird,” where readers understand the racism influencing the story before Scout does. The essay also discusses the use of dramatic irony in films like “Psycho” and TV shows like “Breaking Bad,” as well as in comedies and other genres. It highlights how dramatic irony enhances storytelling by deepening themes and intensifying the audience’s connection to the narrative.

How it works

The literary technique known as dramatic irony holds significant sway in the repertoire of playwrights and authors, serving as a potent instrument for crafting suspense, enriching emotional involvement, and offering readers a distinct vantage point on the narrative’s unfolding. At its essence, dramatic irony ensues when the audience possesses superior knowledge about a situation or a character’s intentions compared to the characters themselves within the tale. This chasm in awareness fosters moments of heightened anticipation and emotional intricacy, as readers or spectators comprehend the repercussions of actions and occurrences unbeknownst to the characters.

Shakespeare’s “Romeo and Juliet” stands as one of the most illustrious exemplars of dramatic irony. Throughout the play, the audience is keenly cognizant of the tragic destiny awaiting the star-crossed lovers, while Romeo and Juliet themselves cling to hope regarding their shared future. This prescient awareness casts a pall over every interaction, imbuing even their most jubilant moments with an aura of impending catastrophe. When Juliet imbibes a potion to simulate her demise, the audience understands her continued vitality, a truth eluding Romeo. Consequently, his subsequent demise resonates all the more profoundly as we discern the tragic miscommunication at play. Shakespeare’s adept manipulation of dramatic irony not only amplifies the emotional resonance of the narrative but also underscores the thematic motifs of destiny and calamity pervading the drama.

In contemporary literature, dramatic irony endures as a vital narrative tool. Consider Harper Lee’s “To Kill a Mockingbird,” wherein readers are privy to the entrenched racism influencing the story’s events long before the protagonist, Scout Finch, comprehends its full extent. This foreknowledge enables readers to discern the injustices and societal deficiencies that Scout is only beginning to discern, thereby heightening engagement with the narrative and fostering deeper empathy for the characters.

Dramatic irony finds effective expression in the realm of cinema and television as well. In Alfred Hitchcock’s “Psycho,” viewers possess insight into Norman Bates’ true persona and the presence of his deceased mother long before the film’s protagonist, Marion Crane, uncovers the truth. This awareness engenders a tension-laden viewing experience, as viewers anticipate the moment when the harrowing reality will be laid bare to the characters on screen. Hitchcock’s adept utilization of dramatic irony keeps the audience on tenterhooks, accentuating the psychological thriller elements of the film and securing its status as a genre classic.

A modern instance of dramatic irony is evident in the television series “Breaking Bad.” Throughout the series, viewers are cognizant of Walter White’s descent into criminality and his dual existence long before his family and associates grasp the full extent of his actions. This engenders a perpetual undercurrent of tension, as viewers anticipate the inevitable confrontations and reckonings that will ensue as the truth comes to light. The dramatic irony in “Breaking Bad” not only serves to cultivate suspense but also imbues Walter’s character with layers of complexity, juxtaposing his outward persona with his clandestine deeds.

Furthermore, dramatic irony serves as a comedic device, generating humorous scenarios. In Oscar Wilde’s “The Importance of Being Earnest,” characters frequently find themselves embroiled in situations where the audience discerns the true identities and motives behind various deceptions. This insight enables the audience to revel in the absurdity and wit of the characters’ interactions, heightening the comedic aspects of the play.

In addition to augmenting suspense and levity, dramatic irony can elucidate the themes and ethical quandaries within a narrative. In George Orwell’s “Animal Farm,” readers swiftly realize that the pigs who spearhead the rebellion against human oppressors are mirroring the tyrants they supplanted. This irony underscores the novel’s commentary on authority, corruption, and the cyclical nature of subjugation, imbuing the story’s message with greater poignancy and intellectual stimulation.

Dramatic irony remains a versatile and potent technique in the storyteller’s arsenal. By endowing the audience with insights eluding the characters, writers and directors can forge deeper emotional connections, heighten suspense, and facilitate a richer comprehension of their themes and motifs. Whether in classic literature, contemporary novels, or visual media, dramatic irony continues to enthrall and engage audiences, attesting to its enduring efficacy in the craft of storytelling.

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Understanding the Metamodern Mood

More By Brett McCracken

Why, when we look at contemporary pop culture—movies, music, TV, campus protests, meme culture, and TikTok (especially TikTok)—does the word “incoherence” often come to mind? Why does so much today feel random, disconnected, contradictory, aimless, and altogether void of coherent logic and purpose?

Part of it is that social media’s inherent denarratived randomness has powerfully shaped a schizophrenic cultural consciousness. We see the world as we see our scrolling feeds: one random thing after another, ephemeral and quickly forgotten, providing mild amusement and occasional resonance but without an anchoring narrative that offers lasting satisfaction . As Byung-Chul Han puts it in The Crisis of Narration , digital platforms provide “media of information, not narration. . . . The coherence from which events derive their meaning gives way to a meaningless side-by-side and one-after-the-other.”

Charles Taylor’s concept of “ cross-pressures ” also helps explain the situation. Contemporary people are bombarded from all directions by information, ideas, experiences, affinities, and spiritual quests—each pulling them in a different direction. Naturally, the experience of cross-pressured life (and its artistic expression) tends to be dizzying, conflicted, and incoherent.

One term academics, artists, and critics have started to use to explain what’s going on is “metamodernism . ” For Christians and church leaders, knowing what this term describes—and especially how it finds expression in pop culture—will be helpful for our mission.

Metamodernism: What It Is

Metamodernism is what came after postmodernism, which is what came after modernism. If postmodernism cynically reacts against and deconstructs modernism, metamodernism reacts against modernism and postmodernism, affirming and critiquing aspects of both. Metamodernism opposes the “either/or” bifurcation of modernism and postmodernism. It refuses to choose between sincerity/certainty/hope (modernism) and irony/deconstruction/nihilism (postmodernism). It values both, even if—or perhaps precisely because—such a synthesis is, in the end, illogical and incoherent. Metamodernism accepts this incoherence because it values mood and affect (how I’m feeling / what I’m resonating with) more than rigid logic.

If this seems like a “have your cake and eat it too” philosophy, that’s sort of the point. Shaped by the endless, have-it-your-way horizons of the internet (a structural multiverse of innumerable “truths”), metamodernism is a worldview as wide open and consumer friendly as the smartphone. Take or leave what you want, follow or unfollow, swipe right or left: it’s your iWorld, so make it a good one.

Metamodernism is a worldview as wide open and consumer friendly as the smartphone. Take or leave what you want, follow or unfollow, swipe right or left: it’s your iWorld, so make it a good one.

The nice academic term for metamodernism’s hyperconsumerist, bespoke toggling between seemingly contradictory ideas is “oscillation.” The metamodern outlook constantly oscillates between the poles of modernism and postmodernism. This has the effect of making the metamodern posture impossible to pin down and ultimately hyperindividualistic. Each person, in any given moment, might swing multiple times between deconstruction and construction, truth and relativism. It seems to depend only on a vague mood disposition mixed with a cautious sense of avoiding “all-in” commitment to any one direction.

Here’s how one writer describes it :

Metamodernism considers that our era is characterized by an oscillation between aspects of both modernism and postmodernism. We see this manifest as a kind of informed naivety, a pragmatic idealism, a moderate fanaticism, oscillating between sincerity and irony, deconstruction and construction, apathy and affect, attempting to attain some sort of transcendent position, as if such a thing were within our grasp. The metamodern generation understands that we can be both ironic and sincere in the same moment; that one does not necessarily diminish the other.

This last oscillation—between irony and sincerity—is especially noticeable when you start to look at contemporary pop culture.

Metamodernism in Movies

The best analysis I’ve seen on metamodernism in movies is a video essay by media critic Thomas Flight (embedded below). It’s long (about 40 minutes) but well worth the time if you’d like to learn how the cerebral concepts of metamodernism show up in concrete ways in contemporary movies.

Flight highlights Top Gun: Maverick as an example of a recent “modernist” film and gives an array of examples of “postmodernist” films ( Pulp Fiction , No Country for Old Men ). Among his examples of “metamodern” movies are the Oscar-winning Everything Everywhere All at Once (2022), Quentin Tarantino’s Once Upon a Time in Hollywood (2019), Steven Spielberg’s The Fabelmans (2022), and most of Wes Anderson’s filmography. These movies are characterized both by postmodern reflexivity (self-aware movies about the artifice of movies) and sincere appreciation for real, uncynical emotional encounters, both a postmodern suspicion of narrative optimism and an unabashed desire for the possibility of a “Hollywood ending.”

Three Recent Examples

Once you understand metamodernism, you start to see it everywhere in movies and TV. Here are a few examples of “metamodern movies” from the last year.

1. The Fall Guy (2024)

This recent Ryan Gosling action blockbuster epitomizes metamodernism. The “movie within a movie” plot follows a stunt man (Gosling) who, while on a film set in Australia, gets tied up in real-life peril as well as real-life romance (with Emily Blunt, who plays a film director). The Fall Guy is heavy on postmodern reflexivity and constant self-referential jokes about Hollywood. It’s hyperaware of its artifice.

And yet the film’s central romance is sweet and sincere and appeals to the audience’s nostalgic hunger for earnest, straightforward love stories in movies. In the film’s (spoiler alert) happily-ever-after ending, Gosling says, “What we got is even better than the movies.” The ending is simultaneously sincere and ironic, playfully acknowledging its “Hollywood ending” cheesiness, even as it gives audiences permission to sincerely love and desire such an ending.

2. Love at First Sight (2023)

This Netflix rom-com was a hit with audiences last fall, likely because it embodies the metamodern approach to ironic but sincere romance. The film follows a young woman and young man who meet on a flight to London and, you guessed it, fall in love. The Hallmark-esque plot is unabashedly cheesy but knows it , and this is the key.

The film is just self-aware enough to make it palatable to metamodern audiences who’d otherwise find its love story too naive. The film’s postmodern street cred is reinforced when one character regularly breaks the fourth wall, speaking to the audience in a wink-wink way. Yet this ironic detachment is interspersed with heaps of sincerity and real moments of emotional affect. “We know love stories like this don’t happen in real life,” the film communicates. “But it feels good and right to desire that they do.”

3. Barbie (2023)

Greta Gerwig’s record-breaking blockbuster showcases the “OK with incoherence” nature of metamodernism. The film constantly oscillates between detached, ironic self-awareness (“Yes, we know how ridiculous it is to take seriously a movie about plastic dolls”) and earnest attempts at meaningful reflection (“How might we see ourselves in Barbie’s and Ken’s existential conundrums?”).

As I wrote last summer , Barbie is disorienting yet “at ease in its contradictions.” I found the film unsatisfying due to its incoherent, “have my cake and eat it too” approach to questions of gender. But clearly, most audiences didn’t mind. Indeed, Barbie ’s box-office dominance is the clearest signal yet that metamodernism has gone mainstream—and needs to be taken seriously.

Metamodernism’s Implications for the Church

Much more needs to be written about metamodernism’s implications for culture and Christianity, and I hope to revisit these questions in subsequent essays. But for now, here are two brief reflections on the “so what?” of this admittedly cerebral concept: one observation of concern and one reason to be encouraged.

1. Aversion to Logic and ‘Adjusted to Incoherence’

I’ve long been haunted by a phrase Neil Postman used in his 1985 book Amusing Ourselves to Death to describe the way television had eroded our logical faculties: we’d become “adjusted to incoherence.” How much more is this the case in the social media era? And this is indeed what metamodernism reflects.

Metamoderns have become so adjusted to incoherence that they no longer recognize inconsistencies and seem not to mind art, politics, philosophies, and activism rife with internal contradictions. This explains the illogical phenomenon of “ woke jihad ” that has become ubiquitous on college campuses of late: kaffiyeh-clad hipsters who denounce the patriarchy and promote LGBT+ equality even as they declare solidarity with patriarchal, anti-LGBT Islamist terrorists.

Metamoderns have become so adjusted to incoherence that they no longer recognize inconsistencies and seem not to mind art, politics, philosophies, and activism rife with internal contradictions.

This is but one of countless examples of our adjusted-to-incoherence culture, which shows up in metamodernism’s oscillation between contradictory ideas (can you really believe in both absolute truth and relativism?).

The biggest challenge here is that many metamoderns don’t flinch when their illogical views are pointed out. They aren’t bothered by the internal incoherence of their contradictory stances. This will no doubt pose new challenges to Christian pastors, church leaders, evangelists, and apologists: How do we disciple people toward a coherent, consistently biblical view of the world when they’re increasingly at ease in whatever contradictions best suit them?

2. Real Desire for Meaning and Certainty

Likely because metamodernism is fundamentally subjective, it contains within it an awareness of subjectivity’s limits. Relativism won’t ultimately satisfy. There has to be more than me and my oscillating mood.

This is why the certainty and optimism of modernism appeals. Metamodern people have seen the unsustainability of postmodern deconstruction, and they desire construction. They want to believe problems can be solved and progress can be made. Even as they’re suspicious of absolute truth in theory , their existential reality leads them to desire it. After all, to construct anything, one must have foundations.

It’s here that Christians can find a hopeful inroad with metamodern seekers. Insofar as our faith offers solid foundations and, as a result, demonstrates ongoing construction in a world of deconstruction, it holds natural appeal. The church is well positioned to meet people in the acedia of postmodernity’s afterglow and invite them into a time-tested community of truth, growth, and purposeful mission.

Is the digital age making us foolish?

It doesn’t have to be this way. With intentionality and the discipline to cultivate healthier media consumption habits, we can resist the foolishness of the age and instead become wise and spiritually mature. Brett McCracken’s The Wisdom Pyramid: Feeding Your Soul in a Post-Truth World shows us the way.

To start cultivating a diet more conducive to wisdom, click below to access a FREE ebook of The Wisdom Pyramid .

Brett McCracken is a senior editor and director of communications at The Gospel Coalition. He is the author of The Wisdom Pyramid: Feeding Your Soul in a Post-Truth World , Uncomfortable: The Awkward and Essential Challenge of Christian Community , Gray Matters: Navigating the Space Between Legalism and Liberty , and Hipster Christianity: When Church and Cool Collide . Brett and his wife, Kira, live in Santa Ana, California, with their three children. They belong to Southlands Church , and Brett serves as an elder. You can follow him on Twitter .

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NY judges should not be forced to retire at 70

President Barack Obama hugs Supreme Court Justice Ruth Bader Ginsburg before his State of the Union speech in January 2011, on Capitol Hill in Washington. Looking on, from left, are Chief Justice John Roberts, Justice Anthony Kennedy, Justice Stephen Breyer, and Justice Sonia Sotomayor. Credit: AP/Pablo Martinez Monsivais

This guest essay reflects the views of Gail Prudenti, a partner at Burner Prudenti Law, former dean of Hofstra Law School, and former chief administrative judge of New York State.

At the U.S. Supreme Court, several momentous opinions were written by justices well past Social Security age.

The legendary Oliver Wendell Holmes, who served until he was 90, did some of his best work in his 70s, including his famous dissent in Abrams v. United States (1919) in which he asserted his “marketplace of ideas” defense of the First Amendment.

Hugo Black, at 79, penned a noteworthy dissent in Griswold v. Connecticut (1965) expressing his concern over judicial overreach. At 78, Stephen Breyer wrote the majority opinion in Whole Woman’s Health v. Hellerstedt (2016), which shot down Texas abortion restrictions. Few would deny that Ruth Bader Ginsburg was a force to be reckoned with and an intellectual beacon well into her 80s.

New York, however, puts older judges out to pasture.

Here, judges generally must retire at age 70. Many who are nowhere near ready for the rocking chair have traditionally found sinecures with big law firms, worked as judicial hearing officers, or pursued post-bench second careers as arbitrators and mediators.

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But lately, former judges are increasingly in demand as the open market values their diverse experience and wisdom. I’ve seen many older judges returning to the robust practice of law, trying cases and arguing appeals with vigor and wisdom. Former colleagues have pursued other opportunities where their judicial insights are welcome: teaching, writing and publishing; public speaking and lecturing for a fee; serving on corporate boards and state commissions; working at think tanks; providing strategic consultation to attorneys during trials; and hiring out their talent to write appellate briefs.

Although I left the judiciary well before mandatory retirement, in the decade since I hung up my robes I have served as dean of Hofstra Law School, founding member of Mediation Solutions of NY, and recently became a partner at Burner Prudenti Law. There is life after the bench.

The encore performances of former jurists mirrors a societal shift that increasingly recognizes the value of older workers. That trend is driven by demographic tendencies, technological advancements, anti-discrimination laws, and economic necessity: With the current labor shortage, many companies are tapping into the older workforce to fill gaps, frequently offering flexible work arrangements to entice experienced people to return to the fray.

Ageism, however, remains a deeply ingrained societal bias, and overcoming that prejudice is still a daunting challenge for many older people. Anti-discrimination laws can help only so much.

Federal law protects workers 40 and older from age discrimination, but the Age Discrimination in Employment Act applies only to employers with 20 or more employees.

New York is much more protective. The New York State Human Rights Law prohibits age discrimination for all employers, regardless of size. But the state’s highest court, the Court of Appeals, has struggled at times to balance the strictures of anti-discrimination laws with practical implications like budget constraints. The irony, of course, is that the judges who wrote those decisions are themselves subject to mandatory retirement when they reach 70.

In 2011, Chief Judge Jonathan Lippman proposed a constitutional amendment to raise the retirement age to 80. It was defeated, but it’s time to revisit that proposal and a model based on the federal judiciary senior status — keeping in mind how much Holmes, Black, Breyer, Ginsburg and others contributed at an age that would have excluded them from the New York bench, and put all that talent to good use.

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Guest Essay

The Moral Limits of Bankruptcy Law

By Melissa B. Jacoby

Ms. Jacoby is the author of the forthcoming book “Unjust Debts: How Our Bankruptcy System Makes America More Unequal.”

When Purdue Pharma filed for Chapter 11 bankruptcy in 2019 , it had over a billion dollars in the bank and owed no money to lenders. But it also had the Sacklers, its owners, who were eager to put behind them allegations that they played a leading role in the national opioid epidemic.

The United States Supreme Court is now considering whether the bankruptcy system should have given this wealthy family a permanent shield against civil liability. But there is a bigger question at stake, too: Why is a company with no lenders turning to the federal bankruptcy system in response to accusations of harm and misconduct?

The maker of OxyContin is one in a long line of companies that have turned Chapter 11 into a legal Swiss Army knife, tackling problems that are a mismatch for its rules. Managing costly and sprawling litigation through bankruptcy can be well intentioned. But Chapter 11 was designed around the goal of helping financially distressed businesses restructure loans and other contract obligations.

If companies instead turn to bankruptcy to permanently and comprehensively cap liability for wrongdoing — the objective not only of Purdue Pharma but also of many other entities over recent decades — they can shortchange the rights of individuals seeking accountability for corporate coverups of toxic products and other wrongdoing. And in a country that relies on lawsuits and the civil justice system to deter corporate malfeasance, permanently capping liability using a procedure focused primarily on debt and money could be making us less safe.

In 1978, a bipartisan group of lawmakers enacted sweeping reforms to American bankruptcy law. To enhance economic value and keep viable businesses alive for the benefit of workers and other stakeholders, these changes gave companies more protection and control in bankruptcy. This new bankruptcy code also made it easier to alter the legal rights of creditors during and after bankruptcy without their consent.

To provide more sweeping protection to a distressed but viable company, the new bankruptcy laws also expanded the definition of “creditor” to include people allegedly injured by the business. Yet the rules governing Chapter 11 were drafted primarily with loans and contracts, not large numbers of harmed individuals, in mind.

When this bankruptcy law expansion dovetailed with the rise of high-volume asbestos litigation, creative lawyers started a trend that bankruptcy code drafters did not anticipate: using Chapter 11 to manage widespread allegations of coverups and harm to individuals. The former Fortune 500 company Johns Manville, an asbestos manufacturer, filed for bankruptcy in 1982, arguing that being a defendant in so many lawsuits made it eligible for Chapter 11.

The company promoted a broad reading of bankruptcy’s scope: to save the business, it needed protection not only from injured people already pursuing the company but also from those who might discover how asbestos harmed them much later in the future. In exchange, a trust would be set up to compensate claimants. Federal court orders put these ideas into effect, and Congress eventually passed a law authorizing asbestos bankruptcies if structured like Manville’s.

When the pharmaceutical and consumer products company A.H. Robins demanded even more bankruptcy protection than Manville, it set the stage for strategies like the one Purdue Pharma would adopt. After A.H. Robins’s Dalkon Shield birth control device triggered a host of medical problems for hundreds of thousands of women around the world, including spontaneous septic abortion, loss of fertility and death, the company filed for Chapter 11 in 1985. The resulting court orders not only granted its requested relief and set up a trust for injured women but also shielded its owners, members of the Robins family, who were accused of fraudulently concealing the Shield’s hazards .

The use of Chapter 11 to permanently cap liability for a range of potentially liable parties attracted the attention of the Catholic Church. Since the 2000s, 35 dioceses have filed Chapter 11 in response to allegations of child sex abuse and coverups. So have organizations like U.S.A. Gymnastics and the Boy Scouts of America . Illustrating how bankruptcy makes strange bedfellows, the U.S. Conference of Catholic Bishops filed a Supreme Court brief to support the protection of the Sacklers in the Purdue Pharma bankruptcy.

Some companies facing tens of thousands of lawsuits are too well off for bankruptcy yet are determined to access the system’s benefits. In a maneuver often called the Texas two-step, financially healthy companies have created special non-operating subsidiaries to send into Chapter 11. By doing so, the hope is to permanently shield the entire corporate enterprise against liability for wrongdoing, in exchange for a fixed financial contribution to compensate claimants now and in the future.

The two-step provokes costly and time-consuming legal challenges, and even if they succeed, the bankruptcy filing typically results in the cancellation of scheduled jury trials in other courts in the meantime — to the companies’ benefit. The corporate giant Johnson & Johnson has already filed two two-step bankruptcies in its effort to cap liabilities for accusations that it ignored alleged cancer risks stemming from its talc-based personal hygiene products. Although both attempts were eventually dismissed because the entity was not in financial distress, Johnson & Johnson is planning to file a third time .

Some academics, and even more bankruptcy lawyers, believe Chapter 11 can be useful to manage a wide array of mass tort litigation, at least in some instances. The 1997 report of a federal commission concluded that the bankruptcy system had features well suited to managing mass tort liabilities if substantial guardrails were put in place (but Congress did not enact those guardrails).

The trade-off for overriding some laws and procedures was promoting equal treatment of similarly situated claimants , including those who discover harm long in the future who could not readily collect from the pot under other dispute resolutions systems, while saving otherwise viable organizations to the benefit of workers and other stakeholders. Supporters often say Chapter 11 is more efficient than civil litigation, which can translate into higher compensation for injured people.

Unfortunately, bankruptcy has a rocky track record in delivering its hoped-for financial benefits. While Manville lived on, the trust created by its bankruptcy swiftly ran out of money and slashed recoveries to even the most severely ill claimants. And asbestos cases continue to generate underfunding and inconsistent payouts . People have received vastly different recoveries depending on when they got sick. Concerns that asbestos trusts shortchanged people with severe injuries while potentially overcompensating others fueled several (ultimately unsuccessful) congressional efforts to move asbestos claims out of court systems altogether .

Recent non-asbestos cases reinforce that one cannot rely on organizations’ predictions of how and when injured people will be compensated. The opioid maker Mallinckrodt reduced the funding for opioid claimants by $1 billion in the year following the conclusion of negotiations and court approval of the company’s bankruptcy plan. The Boy Scouts of America predicted full compensation for survivors of child sex abuse when it sought approval of its Chapter 11 plan. Yet it was later made clear that survivors almost certainly will not recover at that level. To ensure the trust does not run out of money and shortchange later claimants, initial payouts to Boy Scouts survivors are set at just 1.5 percent of claim values ; claimants should collect more later, but no one can say how much more or when.

Any system that undercompensates for serious harm implicates more than claimants’ wallets. It undercuts a key objective of our justice system: deterring bad behavior.

Although bankruptcy advocates tend to focus on financial compensation, other issues are also at stake. Injured people in pursuit of accountability for organizational wrongdoing have found their diversion to the bankruptcy system frustrating and unfair , more business than justice . The perception of unfairness is especially strong in Texas two-step cases. Earlier this year, a bipartisan trio of senators and 24 states and the District of Columbia unsuccessfully implored the Supreme Court to override the Fourth Circuit decisions that enable profitable and thriving companies to keep personal injury claimants, some of whom are severely ill and dying, from pursuing their claims in other courts.

The Supreme Court’s examination of Purdue Pharma’s case also presents an opportunity to consider how expansive use of the national bankruptcy system can create tension with constitutional principles. For example, some experts worry that these cases insufficiently protect the due process of people who discover harm long after a bankruptcy case has changed their rights. Using bankruptcy to shift control away from claimants and halt lawsuits also has implications for federalism. Federal bankruptcy filings of dioceses and other organizations have impeded state initiatives, such as New York’s Child Victims Act, which reopened state courts to adult survivors of child sex abuse and included special procedures and trauma-related training.

Overall, these cases pose challenges bigger than the matter the Supreme Court must decide in Purdue Pharma. The looming question remains whether we the people may be at greater risk — monetarily, bodily, constitutionally — when a system designed for restructuring the debt of financially distressed companies is retrofitted for other policy problems.

Melissa B. Jacoby is a law professor at the University of North Carolina at Chapel Hill and the author of the forthcoming book “Unjust Debts: How Our Bankruptcy System Makes America More Unequal.”

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Hamas is using people of Gaza as human shields. You can't avoid that fact. | Letters

I have two issues with the op-ed in the Ideas Lab of May 19 (“ Student protesters won’t be silent about genocide unfolding in Gaza ”).

For starters, I should state that I believe there should be an immediate cease fire in Gaza and that the continued loss of civilian life only harms the long-term efforts for peace and stability. I also support the right to peaceful protest , but if protests turn into racist confrontations, it is counterproductive. Violence and inflammatory rhetoric are never the answers.

However, the first issue is that she wrote that Israel is populated by “European ‘settlers.’” But nearly a million Jews fled or were expelled by Muslim countries and settled in Israel. There are also Muslim and Christian citizens of Israel.

The second is she avoids dealing with Hamas, which started this current conflict and is using the population of Gaza as human shields. Having traveled to the Middle East, I believe there is much to make amends for. I do believe that Israel as a nation should have done more to try to find lasting solutions, but Islamic terrorist groups have made that more difficult.

Both sides in this conflict need to come together and create a state for the Palestinians and use the resources being used for war to bring some measure of social justice.

Joseph Geck, Waukesha

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